政治文化视阈下的民众动员——《真相画报》及其社会影响  

The Popular Mobilization in Perspective of Political Culture——Truth Pictorial and Its Social Impact

作　　者：吴果中[1] 

机构地区：[1]湖南师范大学新闻与传播学院

出　　处：《新闻与传播研究》2011年第5期83-88,112,共6页Journalism & Communication

基　　金：国家社科基金项目"中国近现代画报研究(1875-1949)"(09BXW004);湖南省高校青年骨干教师培养课题

摘　　要：新闻事业和社会运动之间的互动关系,是中国新闻事业史上的典型现象。创办于1912年的《真相画报》是中国近代史上著名的美术刊物和大型新闻摄影类革命画刊,其"艺术革命"的政治文化追求如何实施了社会的民众动员?画报的传播共同体如何在一个报刊的公共舆论空间表达政治文化认同和价值共识?民主革命思想的表达和社会动员的独特机制是什么?文章试图从政治文化视阈,探究《真相画报》在传播宗旨、传播共同体地缘和学缘的精神交往等方面生发报刊的民众动员效应和社会影响的建构性意义。The interaction between Journalism and Social movements is a typical image in Chinese history of journalism.Truth Pictorial,which was founded in 1912,was a famous art publications and large-scale revolution pictorial in photojournalism class in China's modern history.How did its pursuit of political culture of art revolution implement the popular mobilization of community? How did the communication community of Truth Pictorial express political and cultural identity and consensus on values in the space of public opinion of a press? What is the unique mechanism of the express and social mobilization of the thought of democratic revolution?This paper attempt to explore Truth Pictorial on the constructive significance of popular mobilization and social impact of multiplying the press,from the perspective of political culture to research the aim of communication and the spiritual interaction of Geo-Relationship and Learning-Relationship between the communication community.

关 键 词：政治文化认同 社会影响 民众动员 画报 真相 文化视阈 新闻事业史 中国近代史 

分 类 号：G219.29[文化科学—新闻学] K258[历史地理—历史学]