论旅游文化与原生态舞蹈的关系——以贵州苗族舞蹈为例  

On the Relation between Tourism Culture and Indigenous Forms of Dance——Taking Dance of Miao Nationality in Guizhou Project Number:(2010)125

作　　者：刘远林[1] 王声珅[1] 

机构地区：[1]贵州大学艺术学院,贵州贵阳550003

出　　处：《贵州民族研究》2012年第1期58-61,共4页Guizhou Ethnic Studies

摘　　要：舞蹈作为文化的一种外化符号和表现形态,与市场经济发展、社会体制结构、文化教育环境等有着内质性关联。片面臆断旅游文化在原生态舞蹈上的影响而作肯定或否定,都不免流于局限性判断与非客观评鉴、决策。在此以贵州苗族舞蹈为研究对象,对旅游文化与原生态舞蹈二者进行双向动态探讨,以舞蹈人类学方法进行科学论证,并祈能引起反思,作出展望。Dance, as a culture, is an externalized symbol and an expressional form, and it has essential connections with the development of Market Economy, social institutional structure, cultural and educational environments. The author thinks affirmation or negation to the influence of tourism culture on indigenous forms of dance is a limited judgment and subjective decision. Therefore, the author studies the dance of Miao nationality in Guizhou , discusses the tourism culture and indigenous forms of dance dynamically in two ways, and demonstrates them in anthropological methods, hoping to arouse a reflection and make a prospect.

关 键 词：旅游文化 原生态苗族舞蹈 双向动态分析 

分 类 号：J722[艺术—舞蹈]