论《聊斋志异》的“诗入小说”现象  

On poetry in Strange Stories from A Chinese Studio

作　　者：贺国强[1] 张东霞[1] 

机构地区：[1]华南农业大学人文学院,广东广州510642

出　　处：《韶关学院学报》2012年第1期32-35,共4页Journal of Shaoguan University

摘　　要：蒲松龄在《聊斋志异》的创作中,主动将诗歌这一文学体式纳入自己的小说作品中,意图将诗歌与小说结合起来,在小说中起到推动情节发展、塑造人物形象、表情达意、小说的诗意化等重要作用。《聊斋志异》中的诗歌出现的成因,除了小说自身的需要,与小说作者的身份、才学、交游、所在文学团体、文学观以及诗歌羼入小说的文学传统相关。The writer, Songling Pu puts poetry into his work intentionally and combine the novel with poetry very well. The poems used in his novel play Studio. Here comes out a problem that is why so many important roles in the Songling Strange Stories from A Chinese Pu uses so many poems in his novel The causes come out： the main causes may be the writers＇ own factors, such as his status, his talent and learning, his friends, the literary group which he joined and his literature views. Besides these factors, Songling Pu may be affected by history of the use of poetry in novels.

关 键 词：《聊斋志异》 诗歌 “诗入小说” 

分 类 号：I207.419[文学—中国文学]