沂蒙精神的生产与传播:以“红嫂”文本为中心  

The Producation and Transmission of Yimeng Spirit:Using Red Sisters Text as the Center

作　　者：魏本权[1] 

机构地区：[1]临沂大学沂蒙文化研究院,山东临沂276005

出　　处：《赣南师范学院学报》2012年第1期55-60,共6页Journal of Gannan Teachers' College(Social Science(2))

基　　金：2009年国家社科基金项目(09BKS047)

摘　　要：从文艺作品中个体化的红嫂形象到红嫂的群体化再现,"红嫂"已经成为沂蒙老区经典的红色文化符号。通过关注几十年来有关"红嫂"的各类文本生产,从中可解读红嫂文化与红嫂精神的生产机制、传播模式,解读红嫂文化的生产与时代语境之间的内在关联,还原红嫂群体形象的历史本真。红嫂文本的生产塑造了"红嫂"这一传承不朽的红色艺术经典,革命时代红嫂文本的革命化塑造了英雄化的红嫂;后革命时代的红嫂文本则突出平民化、人性化视角,从平民视角、日常生活角度展现战争背后普通沂蒙女性的真爱与唯美。红嫂文本的生产与传播离不开特定时代文化语境的制约,二者之间的张力及其维度决定了文本生产的机制和模式,以及文本的最终价值与意义。Red Sisters have become the Yimeng red cultural symbols from the literary works of individual Red Sister image to popular images. This article concerns on the production of various types of texts about Red Sisters for decades. Then this paper tries to interpret the production mechanism and transmission mode of Red Sisters, interpret the relations of text production of Red Sisters and the context of times, and reduce historical authenticity of the Red Sister groups. Text production of Red Sisters creates classical and immor- tal red art images. On the one hand, revolutionary texts create heroic image of Red Sisters. On the other hand, civilian or humane images were created in the texts of post-revolutionary era to show ordinary Yimeng women＇ s love and aestheticism behind war. Text production and communication is inseparable from the particular cultural context constraints, the tension and its dimension between them determines text production mechanism and mode, and the final value and significance.

关 键 词：红嫂 文本 沂蒙精神 红嫂精神 文本生产 

分 类 号：C206.3[社会学]