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作 者:侯运华[1]
出 处:《菏泽学院学报》2012年第1期107-111,共5页Journal of Heze University
基 金:国家社科基金项目"梁启超与20世纪中国文学"(07BZW044)
摘 要:民国初年,伴随着社会转型,作家的主体意识发生变化,无论是自觉承担启蒙济世的的重任,还是对小说使命的认知,均与传统迥异。这种变化影响到小说创作,既产生了新的形象,也促使内蕴更新,凸显出人本意识;同时导致小说叙事特征的变革,限知叙事视角的引入、"革命﹢恋爱"叙事模式的产生以及心理描写等叙事特征的嬗变,凸现出中国小说现代化的特质。In the early republic of China, with the social transformation, the writer's main consciousness has changed, whether it is willing to be charged of the task of the enlightenment of benefiting mankind, or the cognition of novels, mission, all with tradition is different. The changes affect the novel creation, both on creating a new image, also making update implication and highlight the humanistic consciousness. At the same time they lead to change of novel narrative characteristics, are restricted to the introduction of narrative perspective, the change of the narrative character- istics the generation of "revolution + love" narrative mode and such as psychological description and so on protruding the characteristics of modem Chinese novel.
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