被解魅的爱情——试论叶念琛爱情电影的颠覆性倾向  

Analysis on Patrick Kong's romantic films

作　　者：李学武[1] 李响[1] 

机构地区：[1]暨南大学艺术学院,广东广州510632

出　　处：《暨南学报（哲学社会科学版）》2011年第6期91-94,161,共4页Jinan Journal(Philosophy and Social Sciences)

摘　　要：香港青年导演叶念琛独立编导的多部爱情电影,因其对后现代社会的深入思索,成为多重社会疾病的症候显现。他的以"爱情三部曲"为代表的影片,颠覆了传统爱情类型电影的叙事模式;爱情观念反传统,呈现为以欺骗与控制为手段的自恋;人物丧失了意义与安全感。叶念琛以其对情感现实的独特表现而契合青年观众的心态,这虽然为中小成本电影开启一条探索之路,但是,他对于批判立场的放弃也不得不引起警觉。Director Patrick Kong has become one of morden icons of HongKong for his symbolic masterpiece showing an opposite view towards so-called fairy-tale romance.This paper focuses on three aspects: Firstly,we will analyse the unique narrative structure adopted in these films;Secondly,the new concept of love conveyed in his works will also be mentioned;Thirdly,we will dig deeply into his serious thought about the postmodern society from where his works originated in.

关 键 词：叶念琛 爱情类型电影 叙事模式 爱情观 后现代 

分 类 号：J90-02[艺术—电影电视艺术]