警察创作的警察影像——从警察作者的视角看中国公安题材影视作品  

The Police Images Created by Police:Viewing the Chinese Police Films and TV Plays from the Perspective of Police Authors

作　　者：彭耀春[1] 

机构地区：[1]江苏警官学院科研处

出　　处：《江苏广播电视大学学报》2012年第1期58-62,共5页Journal of Jiangsu Radio & Television University

基　　金：公安部公安理论及软科学研究计划项目"创新公安文化理论与提升公安文化软实力研究"(2009LLYJJSST014);江苏省社会科学研究基金项目"中国警察影像研究"(08YSB015);江苏高校优势学科建设工程资助项目

摘　　要：新中国警察影像的警察作者主要有赵明(《寂静的山林》),王文林、马家骧、陈治洪(《铁道卫士》),朱向群、安忠民(《跟踪追击》),海岩(《便衣警察》),魏人(《龙年警官》),王仲刚(《风流警察亡命匪》),张策(《无悔追踪》),武和平(《"九.一八"大案纪实》),张成功(《刑警本色》),朱恩涛、杨子(《公安局长》),杨佳富(《边检站》《军人荣誉》),朱维坚(《使命》《沉默》)。从警察作者写作警察影像的视角,我们可以读到一般文艺学批评所未能清晰展示的内容,包括警察影像的文化属性,犯罪影像的可展示度,警察形象的塑造。The major representative police authors and their works in China today are Zhao Ming and his The Silent Forest,Wang Wenlin,Ma Jiaxiang,Chen Zhihong and their The Railway Guards,Zhu Xiangqun,An Zhongmin and their Keeping Tracks,Haiyan and his Plainclothes Police,Wei Ren and his Police in the Year of Dragon,Wang Zhonggang and his The Romantic Police vs Outlaws,Zhang Ce and his Tracks,Never Regret,Wu Heping and his Case Record of 9.18,Zhang Chenggong and his The True Quality of Criminal Police,Zhu Enshou,Yang Zi and their Police Bureau Chief,Yang Jiafu＇s Frontier Inspection Station and Military Honor,Zhu Weijian＇s Mission and Silence.From these works by police writers,we can read what the ordinary literary works and critics haven＇t clearly revealed,such as the cultural nature of the police image,more vivid demonstration of the criminal image,and the creation of the police image,etc.

关 键 词：警察影像 警察作者 警察视角 

分 类 号：I207.3[文学—中国文学]