颐和园造园艺术的转变——以昙花阁到景福阁的变迁为例  

The Change of the Summer Palace Garden Making Art——From Tanhua Pavilion to Jingfu Pavilion

作　　者：张龙[1] 吴琛[2] 

机构地区：[1]天津大学建筑学院 [2]天津城市建设学院艺术系

出　　处：《中国园林》2012年第2期103-106,共4页Chinese Landscape Architecture

基　　金：国家自然科学基金(编号51108306;50738003)资助

摘　　要：从乾隆朝清漪园到光绪朝颐和园的变迁过程中,万寿山东麓景福阁所在位置上曾出现过2座风格迥异的建筑——六角星形三重檐的昙花阁与单层三卷歇山顶的景福阁,以及一个未实施的单层六角星形的设计方案。在实地调研的基础上,梳理分析焚毁前的一张历史照片和重修时期相关样式雷图档,对三者的造型、空间功能和题名进行比较分析,阐述它们之间在园林文化和艺术创作上的差异,揭示了颐和园造园艺术风格的转变,说明了这一转变与历史盛衰、文化观念以及功能需求之间的必然联系。From Qingyi Garden in Qianlong era to the Summer Palace in Guangxu era, there are a blueprint of single-cornice hexagon star pavilion as well as two buildings in different styles—one of them is Tanhua Pavilion with hexagon star type three floors, and the other is Jingfu Pavilion with ＂＋＂ plan and single round ridge roof. Based on the survey of status quo, the paper combines the visual records of a historical photo in 1860＇s and the relative Yangshi Lei archives for reconstruction to analyze the three pavilions on the aspects of form, spatial function and inscription etc., reveals the difference between the three on gardening culture and art, the evolution of the gardening art of the Summer Palace. Last it shows the absolute relations under the change of functional requirement and the evolution of society and culture.

关 键 词：风景园林 清漪园 昙花阁 景福阁 造园艺术 转变 

分 类 号：TU986[建筑科学—城市规划与设计]