形而内外:亨利·摩尔的雕塑空间拓新  

On the Two Fundamental Dimensions(Internal and External) of Sculpture Art——Henry Moore's Innovation of Sculpture Space

作　　者：滕小松[1] 

机构地区：[1]湖南师范大学美术学院

出　　处：《雕塑》2012年第1期40-41,共2页Sculpture

摘　　要：空间变革无疑是现代艺术拓新的着眼点之一。特别是，空间概念的泛化极大地推进了传统雕塑向现代雕塑的转化。克利斯托夫对阳性——地面建筑物的包裹所作出的“凸空间”、海泽对阴性——地下凹槽的挖掘所作出的“凹空间”以及瓦尔特德·玛丽亚对阴阳之间——天地的连接所作出的“空间对话”，已经把传统的空间概念的疆界扩宽了。Change of concept toward space is one of focuses of modern artistic innovation. The expansion and generalization of space concept has greatly speeded up the process of transforming traditional sculpture into contemporary sculpture. The article makes a deepanalysis of Henry Moore＇ s concept of space and points out the latter not only expands and innovates sculpture through hole-cutting, truncation and string- ing, but is quite particular about the environmentalspace of sculpture. The author thinks Moore＇ ssuccessful presupposition of space by drafting and his achievements have offered present-day sculptors value experience to learn from and draw on.

关 键 词：空间概念 现代雕塑 摩尔 亨利 传统雕塑 现代艺术 建筑物 

分 类 号：J305[艺术—美术]