从马家窑彩陶的色彩论中国画色彩观  

A Research on Color Concept of Traditional Chinese Painting from the Color of the Ancient Painted Pottery of Majiayao Culture

作　　者：王万成[1] 

机构地区：[1]西北民族大学美术学院

出　　处：《雕塑》2012年第1期56-57,共2页Sculpture

摘　　要：本文从马家窑彩陶的色彩、颜料构成、描绘方式出发,分析其色彩背后的文化观念,并进一步指出其色彩的装饰性和文化抽象性对之后中国画色彩观念的影响。此后两千余年,中国画的色彩一直是沿着主观施色、色不碍墨,黑白相生的方向发展的。this context analyze the color concept from the color on the ancient painted pottery of Maji- ayao culture, pigments of it and the way of painting, which put forward the decorative color concept of Chinese painting. After bimillennium, the color concept of Chinese painting is developing on the way of subjective color, the separation between color and ink, mutual transformation of black and white.

关 键 词：马家窑彩陶 中国画 色彩观 

分 类 号：K876.3[历史地理—考古学及博物馆学]