论鼓吹曲辞与中古时代音乐舞蹈史诗的创作  

On the connection of ensemble songs of wind and percussion music with music-dancing epics in medieval times

作　　者：张树国[1] 

机构地区：[1]杭州师范大学古代文学与文献研究中心,浙江杭州310036

出　　处：《广州大学学报（社会科学版）》2012年第2期69-75,共7页Journal of Guangzhou University:Social Science Edition

基　　金：国家社科基金项目(09BZW021);教育部人文社科一般项目(06JA75011-44024)

摘　　要：魏晋迄唐的乐舞史诗主要保存在《宋书·乐志》、《隋书·音乐志》及《乐府诗集·鼓吹曲辞》中,为沿用《汉铙歌十八曲》曲调而创作的新题乐府,表现历代王朝开国承家的诗性历史。乐舞史诗作为独具民族特色的史诗范型,与中古时代战争频仍、改朝换代频繁有直接关系,同时也体现了音乐制度、民族艺术等方面的广泛影响。The music- dancing epics from Wei dynasty to Tang dynansty were preserved in SONG- SHU - YUE - ZHI （ music documents of the history book of Song dynasty） , SUI - SHU - YIN - YUE - ZHI （ music docu- ments of the history book of Sui dynasty）, and YUE - FU - SHI - JI. They were new theme poems which followed the melody of Eighteen - Nao - ge of Han dynasty, and emdodied the poetic history of each dynasty in the initial pe- riod. The music -dancing epics as a unique model of epic were connected directly with wars between the nations and dynasty changes, simultaneously they were affected by the musical system and the nation＇s arts.

关 键 词：鼓吹曲辞 中古时代 乐舞史诗 

分 类 号：J792[艺术—舞蹈]