论张大千题画诗的美学蕴含  

On the Aesthetic Connotation of ZHANG Da-qian's Painting with Poems

作　　者：肖体仁[1] 

机构地区：[1]内江师范学院文学与新闻传播学院,四川内江641100

出　　处：《内江师范学院学报》2012年第3期26-30,共5页Journal of Neijiang Normal University

基　　金：四川省教育厅科研基金重点项目(07SA094)

摘　　要：国画大师张大千是创作题画诗数量最多的杰出诗人之一。他的题画诗从题材及美学蕴含上看,主要包括两大类。一类着意抒写与画面内容密切相关的意境,生动传达画中之态及画外之意;一类重在阐发对绘画艺术的感悟与思考,艺术地表现其"师古人,师造化,师吾心"的理论主张。张大千的题画诗,对当代诗画创作具有重要的启示意义。The master of Chinese painting ZHANG Da-qian has been one of prominent poets who composed most poems on his paintings. From the topics and aesthetic connotation, his poems mainly include two groups. The first one focused on the artistic conception closely related with the painting and they vividly expressed the painting and its implication. The second group was to express his feelings and thinking of painting arts and they artistically showed idea of studying the ancient people, the nature and people＇s spirit. ZHANGs＇ poems on paintings are quite inspiring to the creation of both painting and poems.

关 键 词：张大千题画诗 美学蕴含 画中之态 画外之意 

分 类 号：I22[文学—中国文学] J20[艺术—美术]