貂蝉:儒家思想的殉道者——从貂蝉形象的塑造管窥《三国演义》的儒家思想印记  

Diao-chan:Martyrs of Confucianism——On Impact of Confucianism on the Romance of the Three Kingdoms from Image of Diao-chan

作　　者：王燕[1] 雷艳[2] 严珍珍[3] 

机构地区：[1]十堰职业技术学院旅游与涉外事务系 [2]十堰市第一中学语文组,湖北十堰442000 [3]湖北师范学院文学院,湖北黄石435002

出　　处：《十堰职业技术学院学报》2012年第1期71-73,共3页Journal of Shiyan Technical Institute

摘　　要：千百年来,史学界对于历史上究竟有无貂蝉其人,一直探佚寻踪、争论不休。貂蝉,也许只是文学作品中的人物,却能够与有稽可考的西施、王昭君和杨贵妃一起名列"中国古代四大美女",这不能不让人们惊叹经典的文学作品在中国民间的巨大魅力与影响力。《三国演义》中貂蝉的形象是罗贯中结合自己的思考,在历史和民间流传故事的基础上,经精心选择、取舍后加工而成。从貂蝉这一形象的塑造中可以清楚的看出罗贯中本人深受儒家思想人本意识、忧患意识与力行意识影响的印迹,并将这一印迹通过貂蝉这个"仁、义、礼、智、信"的综合体栩栩如生地展示在世人面前,使之成为中国人文历史中一个特定的文化符号,存在于我们的文化记忆中。Diao-chan has long been controversial among history scholars for thousands of years.She may be a character in literary works,but has been ranked among the four beauties of ancient China together with Xi-shi,WANG Zhao-jun and YANG Yu-huan.This best proves the amazing charm and influence of classic literature works on Chinese folk people.The image of Diao-chan in The Romance of the Three Kingdoms was created by LUO Guan-zhong out of carefully chosen and processed materials from the history and folklore story.The image of Diao-chan manifests deep Confucian impact on LUO Guan-zhong in humanistic consciousness,hardship consciousness and practice consciousness,and with which LUO Guan-zhong brought back to life a real Diao-chan with the Confucian characteristics of benevolence,righteousness,virtuous,wisdom and honesty,and turned her into a specific cultural symbol in Chinese cultural history,and made her live in our cultural memory.

关 键 词：儒家思想 《三国演义》 貂蝉 孔夫子 

分 类 号：I207.413[文学—中国文学]