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作 者:邢蕊杰[1]
出 处:《南阳师范学院学报》2012年第2期44-48,共5页Journal of Nanyang Normal University
基 金:国家社科基金项目"清代江南文化氏族递嬗与文学发展关系研究"(03BZW031);2010年浙江省教育厅科研项目(编号Y201018553)成果
摘 要:陈维崧发起,陈维嵋、陈维岳等人参与的陈氏昆仲唱和,顺治末年就已开始,早于康熙初年的江村唱和、红桥唱和、秋水轩唱和,是清顺康之际江南词坛具有独特意义的家族式唱和活动。陈氏昆仲的唱和词,运用豪放悲慨的长调,抒写家族情感,具有纪实性而非游戏文字,赋笔言志而非竞技逞才,具有一定的开拓性和变革性。陈维崧及其诸弟还积极参与清初其他唱和活动,所作和韵词表现出鲜明的现实色彩和强烈的时代感。陈维崧昆仲唱和的新取向及其唱和词的新格调,与陈氏家族文化背景和清初词坛审美思潮紧密相关。The Chen-brothers responsory, initiated by Chen Weisong, enlisting the support of Chen Weimei, Chen Weiyue and others, commenced at the end of Emperor's Shunzhi's reign, preceding the schools cances prevailing at the turn of the historical period from Emperor Shunzhi's reign to Emperor's Kangxi 's reign. The Chen-brothers responsory, using bold and unrestrained lengthy tones and giving expression to kindred affections, is a record of actual events, a medium to convey the Chen brothers' aspiration or ambition. Thus, it takes on a certain degree of pioneering and transformative spirit. Besides, the Chen brothers also took part in other responsory activities in the early Qing Dynasty and their responsory poetries were tinged with realistic color and a strong sense of the times. The new orientation and the new style of the responsory of Chen Weisong brothers are closely related to the family and cultural background of the Chen family as well as to the general aesthetic ethos of the early Qing Dynasty.
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