关于日本电影《入殓师》的社会学思考  

Reflections on the Japanese Movie Okuribito from the Perspective of Sociology

作　　者：张艳萍[1] 王欢[1] 

机构地区：[1]西北大学外国语学院,陕西西安710069

出　　处：《唐都学刊》2012年第1期55-58,共4页Tangdu Journal

基　　金：陕西省教育厅科研基金资助项目(09JK240)

摘　　要：日本电影《入殓师》描述了大提琴师小林大悟成为入殓师的故事。影片表现了主人公小林大悟在遇到梦想与现实的冲突时内心挣扎与选择,通过入殓纳棺这一特殊的工作,表达了生者对死者的敬畏,也体现了小林的生存价值和意义,诠释了夫妻、父子之间的爱与恨,这些有益于了解日本社会和日本人的精神世界。The Japanese movie Okuribito tells how a cellist named Daigo Kobayashi becomes an okuribito, reveals the protagonist＇ s inner struggle and final choice when his dream conflicts with the reality of life. The living show their respect to the dead through this special job, and Daigo Kobayashi＇ s survival value and meaning are also presented, love and hatred between husband and wife, father and son are also inter- preted. All these can help the audience to get a better understanding of the Japanese society and spiritual world.

关 键 词：日本电影 《入殓师》 梦想 生存 死亡 爱恨 

分 类 号：J905[艺术—电影电视艺术]