吴声西曲与永明体成立关系的诗律学考察  

A Metrical Investigation of the Relationship between Songs of Wu and Xu and Rise of the Yongming School

作　　者：杜晓勤[1] 

机构地区：[1]北京大学中国语言文学系,北京100871

出　　处：《陕西师范大学学报（哲学社会科学版）》2012年第2期45-54,共10页Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)

基　　金：国家社科基金一般项目(04BZW022);教育部"新世纪优秀人才支持计划"项目(NCET-10-0173)

摘　　要：永明声病理论源于晋宋乐府,吴声西曲对永明诗律形成具有较大影响,是近来永明体形成研究领域的一种新说。这一新说不仅得不到乐律与诗律对应关系的理论证明,而且也得不到诗律分析数据的支撑。现存晋宋吴声西曲多为五言四句诗,它与永明诗律的相合程度,不仅低于晋宋文人五言诗,更低于其中的五言四句诗。今存晋宋吴声西曲中永明律句、永明律联所占比例,并未超出其在五言诗中的出现概率,说明这些歌辞的作者尚无明确的永明诗律意识。永明体诗律系受晋宋吴声西曲声律之启发而形成的说法,既不符合诗史,也与逻辑相悖。The sound disease theory introduced by the Yongming School was originated from the Yuefu poetry in the Jin and the Song Dynasty. It is a recent view that has occurred in the study of shaping of the Yongming Style that the songs of Wu and Xi had a relatively great influence on shaping of the rhyme scheme of Yongming poetry. However, this new view has obtained neither theoretical proof of parallel relationship between temperament and poetic scheme nor support of analytic data of poetie scheme. According to some reliable sources, the proportions of Yongming-regulated never overtake those verse lines and doublets in the song of Wu and Xi in in five-character regulated poems. This shows that the times of the Jin and the Song Dynasty authors of those melodic words had had little sense of Yongming poetic scheme yet. Therefore, the view agrees neither with poetic history nor with logic that the poetic scheme of Yongming style took shape out of inspiration of the songs of Wu and Xi.

关 键 词：永明体 永明声病说 吴声西曲 诗律学 晋宋乐府 

分 类 号：I207.21[文学—中国文学]