村上龙文学的原初风景  

On the Primal Scene of Ryu Murakami's Literary Works

作　　者：徐明真[1] 宿久高[2] 

机构地区：[1]东北师范大学外国语学院,吉林长春130024 [2]吉林大学外国语学院,吉林长春130012

出　　处：《外国问题研究》2012年第1期67-71,共5页FOREIGN HISTORY STUDIES

摘　　要：村上龙文学原初风景话语中美军基地、金发女郎、日本少年等意象,意味着作家从处女作《无限近似于透明的蓝》中受动、被害型美国文化接受意识中解脱出来,表达出对于"强者"美国的更为主动的认同。但这并不意味着对美国文化的无条件、无选择的全盘服从。从《悲伤的热带》到《KYOKO》等代表作主题、内容的嬗变,展现了作家主动、积极地接受美国文化意识的理性方式。The images of US military base,blonde women and Japanese boys in the primal scene of Ryu Murakami＇s literary works,embody the writer＇s release from the passive sense in his maiden work Almost Transparent Blue and American cultural awareness acceptance of victim type and reflect more active recognition of the United States as a big power.But it doesn＇t mean absolute acceptance without any qualification and choice of American culture.The transmutation of the themes and contents in the masterpieces,such as Tristes Tropiques,KYOKO,demonstrates the writer＇s rational way of American cultural awareness actively.

关 键 词：村上龙 原初风景 美军基地 

分 类 号：I313.06[文学—其他各国文学]