汉魏六朝诗歌中的宫廷女性之怨  

Palace Women's Complaints in the Poetry of Han,Wei and Six Dynasties

作　　者：郭建勋[1] 刘祥[1] 

机构地区：[1]湖南大学文学院,湖南长沙410082

出　　处：《湖南大学学报（社会科学版）》2012年第2期70-74,共5页Journal of Hunan University(Social Sciences)

基　　金：湖南省社科基金项目"魏晋南北朝诗歌之女性书写研究"前期成果(07YB32)

摘　　要：中国古代宫廷女性比普通女性面临更多的窘迫和危机,汉魏六朝诗歌对此有多方面的表现。缘于长门幽怨和班婕妤故事的"宫怨"类诗歌,叙写了宫闱竞争的残酷与失宠妃嫔的悲怨;缘于刘细君和王昭君故事的"和亲"类诗歌,抒发了政治设局中公主远嫁异域、青春被毁的忧伤;《中山王孺子妾歌》、《铜雀台》、《碧玉歌》等乐府诗题以及大量风格香艳的宫体诗,则揭示了地位低下的宫女在生活中是君王玩狎的对象,在诗歌中只能是审美性物化符号的悲惨命运。Palace women in ancient China were faced with more difficulty and crisis than common women, which was embodied in many ways in the Poetry of Han, Wei and Six Dynasties. Poetry on palace women＇s complaints portrays their resentment of being ignored and the cruelness of competition for the emperor＇s favor. Such type of poetry originated from the story of A Jiao and Banjieyu. Poetry on making peace by marriage expresses the princess＇s sadness of being married to a foreign land and ravaged their youth in the political scam. Poetry on Liu Xijun and Wang Zhaojun is precedent of such type. Yue Fu poetry like Emperor Zhong Shan commemorating his concubine, Tong Que Tower and Bi Yu Ge and palace poetry promulgate that the disadvantaged palace women are play with frivolously. In poetry, those women only play the tragic role of an aesthetic symbol.

关 键 词：汉魏 六朝诗歌 宫怨类 和亲类 宫女命运 

分 类 号：I207.22[文学—中国文学]