检索规则说明:AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
检 索 范 例 :范例一: (K=图书馆学 OR K=情报学) AND A=范并思 范例二:J=计算机应用与软件 AND (U=C++ OR U=Basic) NOT M=Visual
作 者:施津菊[1]
机构地区:[1]天津师范大学文学院
出 处:《天津师范大学学报(社会科学版)》2012年第1期38-41,共4页Journal of Tianjin Normal University(Social Science)
摘 要:新世纪十年的中国文学语言,是在20世纪文学语言由文言到白话演进的基础上,继续沿着语言的民间口语化、优美典雅化和流行时尚化这三个方向发生着流变。它们从不同的角度和层面共同构成了新世纪中国文学语言的丰富性和多样性。选择哪种风格的语言去表达,既是作家综合读者的接受心理、现实的文化生态和经济效益等诸多外在因素的能动反映,也是作家自身审美趣味的一种隐性反映。From classical language to vernacular in the 20th century,literary language has undergone some new evolutions in the first decade of 21st century.These evolutions mainly have three important characters,which are folk-orality language style,popular-fashion language style,and graceful-elegant language style.As a result of these developing directions of language style,literary language in the new century's literature has becoming more abundant and diversified.At the same time,there are many things will influence which language style the writer choose to use.On the one hand,the writer will choose the language style which can fit for readers' psychology of accepting and society realities,and also can make his works sell well.On the other hand,the language style which the writer finally chose could be an implicit reflection of his aesthetic interest.
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在链接到云南高校图书馆文献保障联盟下载...
云南高校图书馆联盟文献共享服务平台 版权所有©
您的IP:216.73.216.222