陶渊明“性不解音”新解  

A New Textual Research On TAO Yuanming's XingbuJieyin(性不解音)

作　　者：李小荣[1] 

机构地区：[1]福建师范大学文学院,福建福州350108

出　　处：《福建师范大学学报（哲学社会科学版）》2012年第2期88-94,102,共8页Journal of Fujian Normal University:Philosophy and Social Sciences Edition

基　　金：教育部2011年度"新世纪优秀人才支持计划"(NECT)资助项目;福建省社科规划基金项目<佛道并兴与陶渊明诗文创作>(2010B108)系列研究成果之一

摘　　要：《宋书》、《晋书》、《南史》等史书皆有陶渊明"不解音声"、"性不解音"的记载,但从其诗文作品看,陶氏是精通音乐的,尤其是古琴艺术。对此矛盾,历来治陶者的解释是史书有误。本文则从道教音乐出发,指出陶渊明所不解的是灵宝"玉音"。易言之,陶渊明精通的是世俗琴乐,而非宗教音乐。In the TAO Yuanming＇ biographies of the Song Shu（history of the Liu Song）,the Jin Shu（history of the Jin） and the Nan Shi（history of the Southern Dynasties）,there were records about Tao＇s BujieYinsheng（不解音声）,or XingbuJieyin（性不解音）.But his poems showed that Tao was a master of music,especially the artist of Guqin.This contradiction has always been explained by scholars is that history records were wrong.This paper,on the basis of Taoist music, has drawn a clear conclusion that what Tao had not understood was the Elegant Voice of Lingbao Section.In other words,Tao had mastered the secular music of Guqin,rather than religious music.

关 键 词：陶渊明 “性不解音” 灵宝“玉音” 

分 类 号：I206.2[文学—中国文学]