乐府文学中的“都市书写”——以《长安道》《洛阳道》为中心  

Urban Writing"in Yuefu Literature:A Study of "Changan Road," and "Luoyang Road

作　　者：杨基燕[1] 王志清[2] 

机构地区：[1]中国劳动关系学院文化传播学院,北京100048 [2]吉首大学文学与新闻传播学院,湖南吉首416000

出　　处：《云南师范大学学报（哲学社会科学版）》2012年第2期144-149,共6页Journal of Yunnan Normal University：Humanities and Social Sciences Edition

摘　　要：乐府文学中的"都市书写"是中国古代都市文学的重要内容。乐府文学中的"都市书写"包括都市物质景观、文化景观和都市心态三方面内容。都市物质景观集中于道路、建筑、市民生活区域,文化景观主要反映为游侠文化和青楼文化。南朝《长安道》、《洛阳道》或突出帝都的恢弘,或描写都市的繁华奢靡,唐人同题之作更融入种种都市心态的抒发。这与南朝、唐代乐府文学中不同的都市构筑方式有关。南朝"都市书写"是历史想象与现实环境结合的产物,其都市景观呈现出模式化特点;唐代"都市书写"植根于真实的都市,显示出由地理、文化空间转向情感空间的特点。＂Urban writing＂ in Yuefu literature is an important part of the urban literature of ancient China, which includes three main contents, the urban physical landscape that is composed of roads, buildings and living quarters, the cultural landscape that finds expression in errantry culture, whore house culture, literary works like ＂Changan Road＂ and ＂Luoyang Road＂ describing the grandeur of the capital or the metropolitan prosperity and luxury, while the urban attitude finds expression in the literary works of the writers of the Tang dynasty. Such urban writing is different from that of the Southern dynasty or the Tang dynasty because the urban writing of the Southern dynasty is an inte gration of historical imagination and the reality with a fixed style while the urban writing of the Tang dynasty is rooted in the urban reality with the typical shift form the geographical and cultural space to the emotional world.

关 键 词：乐府文学 都市 《长安道》 《洛阳道》 景观 心态 

分 类 号：I207.227[文学—中国文学]