谍战剧:对一种传播现象的思考  

A Study on Spy TV drama

作　　者：李琦[1] 

机构地区：[1]湖南师范大学新闻与传播学院

出　　处：《新闻与传播研究》2011年第6期46-56,110,共11页Journalism & Communication

基　　金：2010年湖南省社会科学基金项目"1990年代以来中国电视剧文化研究"[课题号2010YBB234]的研究成果之一;湖南师范大学社会科学青年学术骨干培养计划[2009]资助

摘　　要：作为类型电视剧的一种最新变迁样本,谍战剧的流行不仅得益于反特片与涉案剧的经验传承,更是主流意识形态与市场化生产机制合谋语境下的电视文化产物。在以政治阵营为叙事主线、男女情爱纠葛为叙事副线的基础上,谍战剧发展了二元对立的叙事策略,建构了一个充满张力的话语空间,也让受众在一定程度上实现了自身的多重诉求。不过,谍战剧在建构国族话语的同时也提供了其它意识形态话语的表述空间,并在消费主义的刺激下导致了传播文本的异化,映射出当下电视文化身份的迷失。Spy TV drama is one of the newest changing samples of TV plays.The popularity of spay TV drama benefits from the inherited experience of anti-espionage film and crime shows.And it is also a television cultural production under the collusion of dominant ideology and market mechanism.Considering the opposing political camps as the main line of narrative and emotion entanglement as the vice-line of narrative,spy TV drama develops the narrative strategy of binary opposition and builds a discourse space which is full of stretching force.Such behavior meets various requirements of different audience to some extent.However,it also provides a representing space for other ideologies as well as the mainstream,and the texts of it are alienated under the stimulation of consumerism,which also maps out the lost of TV cultural identity.

关 键 词：传播现象 主流意识形态 叙事策略 话语空间 意识形态话语 电视文化 生产机制 二元对立 

分 类 号：J905[艺术—电影电视艺术]