唐五代诗格中的体、势诸范畴  

On Categories of Ti,Shi etc. in Poems of The Tang and Five Dynasties

作　　者：李江峰[1] 

机构地区：[1]山东师范大学文学院,济南250014

出　　处：《山西师大学报（社会科学版）》2012年第2期72-76,共5页Journal of Shanxi Normal University(Social Science Edition)

基　　金：国家社科基金资助项目(10CZW024)

摘　　要：体、势、门、格、式诸传统文论范畴在唐五代诗格中产生了新的内涵,被用以讨论诗歌创作中以句法为中心的具体技法,它们从各个不同的方面展示了唐五代诗格句法理论的全貌。这些范畴在诗格中既有彼此各异的意义所指,又有含义的交叉重叠之处;而且,同一范畴在不同的诗格中也时有不同的诗学内涵,表现出含义的丰富性和某种程度上的随意性。The traditional categories of Ti,Shi,Men,Ge,Shi have new meanings in poems of Tang and Five Dynasties.They are used to discuss the concrete syntax-centered techniques in poetry creation and have shown the general characteristics of poems at that time.The five categories each has its own feature and also overlaps with each other.Moreover,even the same category has different connotations in different poetic style,which illustrates the richness and arbitrariness of meaning.

关 键 词：诗格 范畴 体 势 门 格 式 

分 类 号：I222.7[文学—中国文学]