无间行者:施尼特凯复风格溯源  

ToTrace Schnittke's Polystylism

作　　者：李鹏程[1] 陈鸿铎[1] 

机构地区：[1]上海音乐学院音乐学系

出　　处：《黄钟（武汉音乐学院学报）》2012年第2期68-73,共6页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：自20世纪60年代起,苏联作曲家施尼特凯创作了大量复风格音乐作品,成为这一创作手法的代表人物。对于坚持表现世界和自我的施尼特凯,追溯其复风格创作思维的渊源是理解其作品内涵的必经之途。本文旨在通过论述在不同文化要素之间的施尼特凯,是如何在他的无间道上形成复风格创作思维的。The Russian composer Schnittke composed a numbers of works more consistent use of polystylism, and becoming the representative figure of this creative approach. For Schnittke, who insisting on showing the world and the self, it is the only way to understand the connotation of his works that to trace the origins of creative thoughts of polystylism. Through discussion on Schnittke with different culture elements, this article focus on how did Schnittke form the creative thoughts of polystylism.

关 键 词：施尼特凯(Alfred Garriyevich SCHNITTKE 1934-1998) 复风格 历史渊源 苏联音乐 

分 类 号：J609.9[艺术—音乐]