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作 者:王培友[1]
出 处:《兰州大学学报(社会科学版)》2012年第2期14-20,共7页Journal of Lanzhou University(Social Sciences)
基 金:国家社会科学基金项目"宋代诗学精神的理学文化观照研究"(10BZW044);北京语言大学校级一般项目"审美与哲理的会通:两宋理学诗研究"(11YB04)
摘 要:"气象"在宋代文化中是一个涵蕴丰富、具有多重品格的文化范畴。以周敦颐、二程、朱熹等为代表的两宋理学家,试图以"气象"作为沟通天地、生物、人的途径、渠道及目的,"观天地生物气象"、"体贴气象"、"持养气象"与省察"圣贤气象"、"孔颜乐处"等,作为求"道"的方法、途径兼目的而成为理学体系的重要范畴。"气象"以情感体验与审美的方式探及到了宇宙论与道德论的会通问题,实现了人与自然的完美和谐统一,是超功利的美学境界。这一特征,内在地沟通了诗歌的诗性品格与理学的"气象"特性。境界、审美与情感体验,是决定理学"气象"范畴具有诗性品格的关键所在。As a richly culture-loaded and diversified concept, qixiang was a catch phrase among the Neo-Confucian scholars of the Northern and Southern Song Dynasties, Zhou Dunyi, the Cheng brothers, and Zhu Xi. In their minds, qixiang transcends all physical and spiritual barriers, connecting human beings to the universe and all living things. It is not only a means~ a channel, but also an end, or even, the end. In their pursuit of the Tao, the observation of qixiang, the affinity with qixiang, the maintenance of qixiang, and the modeling of the qixiang of the ancient sages, etc., are all practical disciplines. A metaphysical, profit-free and ideal aesthetic, qixiang is thought to help people achieve a perfect assimilation into nature. The poetry and the poetic character of the period are greatly influenced by this concept.
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