高堂华屋外的野百合——蒲松龄辞赋的独特意蕴  

Unique Implication of Pu Songling's Fu Works

作　　者：颜莉莉[1] 

机构地区：[1]泉州师范学院文学与传播学院,福建泉州362000

出　　处：《辽东学院学报（社会科学版）》2012年第1期43-47,共5页Journal of Liaodong University：Social Science Edition

基　　金：2011年福建省教育厅A类社科研究项目(JA11235S)

摘　　要：蒲松龄辞赋从赋的高堂华屋走向世俗民间。蒲松龄以其感同身受的切肤之痛叙写民间的艰辛和苦难,表现出对底层深入骨髓的体认和关怀,并将役使鬼神、抒发孤愤的聊斋笔法与香草美人以寓忠贞的屈骚传统完美结合,在香花幽草的灵异世界里雕刻出人间社会的微缩景观。其语言收放自如、雅俗共赏,生动热闹的俗世场景在相对凝固的赋体中自由跳动,由此表现出独特的文化意蕴。In Fu works, Pu Songling recorded the severe hardships and sufferings of the bottom society with painful feelings from his own experience, showing his deep care and concern for the ordinary people. He created a miniature society in the miraculous world of vanilla and grass by perfectly combining the writing technique of Li- aozhai Zhiyi （Strange Tales from a Lonely Studio ） Qusao tradition, which is applying patriotism and loy aozhai Zhiyi （ Strange Tales from a Lonely Studio） i Lively and noisy common scenes are springing freely nique cultural implication. , which is to depict his resentments by driving ghosts, with ahy to vanilla and beauty. The language of Fu articles in Li- s free, vivid and suitable to both refined and popular taste. in the relatively fixed Fu prose style, thereby presenting a unique cultural implication.

关 键 词：蒲松龄 聊斋文赋 民间立场 聊斋笔法 

分 类 号：I222.4[文学—中国文学]