黄侃《文心雕龙札记》之“位体定势”论  

The Pattern and style on Reading Note to the Literary Mind and the Carving of Dragons by Huang Kan

作　　者：孔祥丽[1] 

机构地区：[1]内蒙古财经学院,内蒙古呼和浩特010051

出　　处：《广播电视大学学报（哲学社会科学版）》2012年第1期38-43,共6页Journal of Radio & TV University(Philosophy & Social Sciences)

摘　　要：黄侃作《文心雕龙札记》,依傍《文心雕龙》原义,对"位体定势"之术进行了深掘,虽囿于个别篇章而未成体系,但其对"体"与"势"的具体阐释,已颇具灼见:论"文之体",以"大体合六义"而言明写作有一定之规;以"八体并陈"言明风格作为一种文坛现象并陈,并无轻重高下之分;论"文之势",辨析了"势即法度",举"文有三势",从"体势相须"的角度而释"文无定势"。可以说,黄氏从"体""势"方面研究《文心雕龙》在当时已达到一定的高度,现代龙学探究"体"与"势",都无法忽略黄氏的观点而立言。Reading Note to the Literary Mind and the Carving of Dragons by Huang Kan,based on the original edition of Reading Notes,excavated for the ＂pattern and style＂.It is confined to the individual pages and did not form a system,but its ＂software＂ and ＂concrete talks,has exerted a tremendous contribution： It stated that the standard of ＂forms of literature＂ lies in ＂pattern conforming to Liuyi＂,and analyzed that ＂eight modes together stating＂ as a literary phenomena are statements,no light of the competition;It also analyzed that ＂style is standard＂,in addition and clarified that Huang interprets Liu＇s ＂on stable style＂ as ＂no fixed style,but forms is firstly concerned＂;Furthermore,It can be said Huang from the ＂pattern＂ and ＂style＂ two aspects of The Literary Mind and the Carving of Dragons,at the time has reached a certain height,modern science to explore ＂pattern＂ and ＂style＂ can not ignore the views of Huang.

关 键 词：黄侃 《文心雕龙札记》 “体” “势” 

分 类 号：I206.09[文学—中国文学]