京剧表演程式与被规训的身体  

The Programs of Peking Opera Performance and Bodily Discipline

作　　者：郭玉琼[1] 

机构地区：[1]厦门理工学院文化传播系,福建厦门361024

出　　处：《集美大学学报（哲学社会科学版）》2012年第2期51-55,共5页Journal of Jimei University：Philosophy and Social Sciences

基　　金：国家社科基金艺术学项目(08AB02)

摘　　要：京剧程式是京剧表演的语言,也是规训京剧演员的内容和方式。京剧样板戏通过程式建立了一套权力机制,用于规训民众的身体,从而规训民众的革命身份。民间表演对程式的解构却一定程度上削弱了权力的严肃性。The programs of Peking Opera is not only the language of Peking Opera performance,but also the content and style of discipline on Peking Opera performers.Model Peking Operas have established a power mechanism for people＇s physical body and revolutionary identity through the programs,but the deconstruction of programs in folk performances have weakened the power to some extent.

关 键 词：京剧程式 规训 身体 

分 类 号：J802.2[艺术—戏剧戏曲]