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出 处:《西北大学学报(哲学社会科学版)》2012年第2期146-150,共5页Journal of Northwest University:Philosophy and Social Sciences Edition
基 金:国家社会科学基金项目(09XZW005);陕西省教育厅基金项目(09JK239)
摘 要:作为都城记忆的文化影像,长安书写从唐到宋大为减弱,且内涵和功能都发生很大变化。宋词中的长安书写,不仅作为地理名词出现,更是含义丰富的语码,还体现出词人对有关长安意象的刻意选用,不同的长安意象,包蕴着不同的文化内涵。与唐诗比较,宋词中的长安书写,发生了由"地方"到"空间"的变化,其意味自然有从价值、认同和归属向距离、冷静和理性的转移。Description of Chang 'an City, a cultural image of capital memories, had been gradually fainting with its connotations and functions changed from Tang Dynasty to Song Dynasty. The Description of Chang'an City in Song Ci emerges as a geographic term and moreover a linguistic code of abundant implications, reflecting that the Song Ci authors discriminatingly chose description of Chang'an City which contains diversified cultural implications. Com- pared with that in Tang Poetry, description of Chang'an City in Song Ci had transformed from being a "place" to a , space", which was naturally accompanied by a transfer of meaning from the value, self - identity and sense of be- longing to the distance, detachment and rationality.
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