当代相声艺术兴衰之因初探——以侯派相声为例  

The Development and Decline of the Modern Chinese Cross Talk

作　　者：陈建华[1] 

机构地区：[1]北京师范大学泰山学院,山东泰安271021

出　　处：《华南理工大学学报（社会科学版）》2012年第2期90-97,共8页Journal of South China University of Technology(Social Science Edition)

基　　金：2010年度教育部人文社会科学研究一般项目<相声艺术研究>(10YJC760004);2010年山东省艺术科学重点项目<相声艺术及其发展对策研究>(201004012);2008年山东省社会科学规划项目<传统戏曲与中国相声>(08JDD010)

摘　　要：作为当代相声的第一流派,侯派相声的发展浓缩了当代相声发展史。通过侯派的发展看,推动当代相声兴衰变化的关键要素有三:一是高雅化之力。当代相声渐趋高雅,表演风格日渐美化而具"学究气"。高雅化使相声获得了文人支持和高端市场而一举成功,但也逐渐失去底层观众而日渐衰落。二是政治化之力。政治推动当代相声至最高潮而显赫一时,也使其艺术观念畸形化、创作工具化及艺术手法扭曲,失去了根本而致日后衰败。三是新媒体之力。新媒体推动当代相声风靡全国、家喻户晓,但也使之沦为滑稽快餐。电视媒体促使当代相声演化为喜剧小品,最终偏离了传统相声的范畴。Houbaolin＇ s faction is the mirror that refracts the development of the Chinese cross talk （ called CCT for short）. The development and decline of Houbaolin＇ s faction is attributed to three reasons： In the first place, Houbaolin＇ s faction developed to aristocracy. This tendency had gained sustainment of the scholarly and upper marketplace, but it also resulted in CCT confusion; then Houbaolin＇ s faction is discarded by townspeople. Secondly, Houbaolin＇ s faction is greatly influenced by politics. Politics dogged its creation and option. Lastly, the new medium, which includes radio and TV stations, decided the development of the Houbaolin＇ s faction. It propelled Houbaolin＇ s faction to sweep the country and upset the CCT＇ s creation. As a result, Houbaolin＇ s faction is no longer CCT but comedy on TV.

关 键 词：当代相声 侯派 高雅化 政治化 新媒体 

分 类 号：I239.7[文学—中国文学]