唐宋城市发展与山水抒写新变  

Urban Development and Change of Landscape Expression in Tang Dynasty and Song Dynasty

作　　者：蔡燕[1] 

机构地区：[1]曲靖师范学院人文学院,云南曲靖655011

出　　处：《曲靖师范学院学报》2012年第2期26-31,共6页Journal of Qujing Normal University

基　　金：云南省教育厅科研基金项目"唐宋文学转型的城市社会学研究"(07Y21714)研究成果

摘　　要：初盛唐时,城市功能更多地偏向政治,此一时期的山水抒写也更多的与政治相关,呈现出崇高悲壮或脱俗高蹈的审美风格。而中晚唐以后,随着城市文化、商业、娱乐等功能的强化,随着城市经济的辐射力和吸纳力的强化,刺激了生产力的提高,自然在人类的开发利用过程中,逐渐失却了古代准宗教神秘色彩;山水抒写从神化自然到人化自然,审美形态从崇高到谐趣,从脱俗到从俗,审美趣味上清雅与富艳联袂而行。In the early Tang, the function of the city focused on politics and the landscape expression was more connected to the politics, which displayed the aesthetic style of the grand and the heroic. In the middle Tang, the landscape expression shifted from the God to the Human being the cultural due to the intensification of commercial, economic and entertaining functions o f the city and the economic power and attractive power of the city. The aesthetic style shifted from the grand to the humorous and the aesthetic style was combined with the elegant and the common.

关 键 词：唐宋文学 城市发展 山水抒写 审美风格 审美趣味 

分 类 号：I206.2[文学—中国文学]