殷璠《河岳英灵集》“兴象”概念论析  

On “Xing Xiang” in Yin Fan's Work Heyueyinglingji

作　　者：黄琪[1] 

机构地区：[1]北京大学中文系,北京100871

出　　处：《重庆师范大学学报（哲学社会科学版）》2012年第2期91-95,共5页Journal of Chongqing Normal University Edition of Social Siences

摘　　要：殷璠在《河岳英灵集》中首先提出"兴象"概念,深刻影响了后来司空图"不着一字,尽得风流"、严羽"言有尽而意无穷"以及胡应麟"盛唐绝句,兴象玲珑"等学说,成为了中国古代诗歌中独立的诗学、美学范畴。"兴象"的内涵经历了历代学者不断丰盈化的过程。殷璠提出"兴象"一词,但并未如后世诗论家那样,较多地论述"兴象"的具体审美特征。本文从殷璠评以"兴象"的诗作入手,细致分析并考察"兴象"最初提出时的含义,以明确殷璠"兴象"说与后世"兴象"说的联系与差异。＂ Xing Xiang＂ was an important category first put forth by Yin Fan in his work Heyueyinglingji, which deeply affected Yah Yu＇ s and Hu Yinglin＇ s poetry theories. Since Yin Fan didn＇ t give many direct explanations of ＂Xing Xiang＂, this article would focus on the original artistic characteristics of ＂Xing Xiang＂. What＇ s more, there were big differences between ＂Xing Xiang＂ put forth by Yin Fan and discussed by some scholars of Tang Dynasty.

关 键 词：殷璠 兴象 审美特征 

分 类 号：I22[文学—中国文学]