当代先锋文学中的江南文化因素  

The Element of Jiangnan Culture in Contemporary Avant-Garde Literature

作　　者：王洪岳[1] 

机构地区：[1]浙江师范大学人文学院,浙江金华321004

出　　处：《重庆师范大学学报（哲学社会科学版）》2012年第2期101-105,共5页Journal of Chongqing Normal University Edition of Social Siences

基　　金：作者主持的教育部一般项目"启蒙现代性与中国现代主义文学思潮"(编号:09YJA751080);浙江省社科联课题"中国现代主义文学的启蒙性质研究"(编号:2010N97)的阶段性成果

摘　　要：江南文化的诗性特征和在全国文化版图中得天独厚的领先优势,是当今中国先锋文学的深厚精神和艺术营养。与伦理的北方齐鲁文化以及同处南方的其他文化类型相比,江南文化的审美性带有了某种宗教般的超越性品格。这些深厚的文化积淀在当代先锋文学之中,成为这种新潮审美形式不竭的精神和艺术资源。然而这种继承和吸纳是以一种悖反的方式实现的。The poetic flavor of Jiangnan culture and its leading advantage in the cultural map in China is profound spirit and artistic pabulum of the avant-garde in contemporary China. In the comparison with other cultural categories, the aesthetic quality of Jiangnan culture similarly has religion transcendentality. Those deep cultural deposits in contemporary avant - garde literature became spirit and artistic resources of aesthetic form. But this inheritance and absorbing is realizer/ by method of paradox

关 键 词：江南文化 诗性 审美性 先锋文学 变异性 

分 类 号：I206.7[文学—中国文学]