后苏联俄国重建国家的文化行为  

The Cultural Actions of Russia Rebuilding Country after the Soviet Union Collapse

作　　者：林精华[1] 

机构地区：[1]首都师范大学文学院比较文学系

出　　处：《俄罗斯学刊》2011年第5期51-64,共14页Academic Journal of Russian Studies

基　　金：国家社科基金项目<1990年代以来俄罗斯文学发展>(项目编号02BWW006)阶段性成果

摘　　要：苏联解体后,后苏联文学也遭遇了程度不同的危机,但却比较快地得到重建,究其原因在于国家以法律的形式规范、保证公民的文学创作,在于国家、文学界、大众、民间资本共同参与重建,在于文化市场的形成及其在法律框架下产生的强大的资源配置力量。与此同时,文学在自身重建的过程中,也以审美的方式寻求、建构统一的俄罗斯国家认同。After the Soviet Union collapse, the post-Soviet literature met with crisis in varying degrees, but was soon reconstructed. The reasons for this lay in how the state made laws to normalize and ensure citizens＇ literature creation, in the process of how the state, literature circle, common people and private capital joined their efforts against literature crisis, and in the formation of cultural market and the force of constantly reallocating resources in the systematic framework. At the same time, culture, in its rebuilding process, sought and constructed a united Russia-state identity in the aesthetic way.

关 键 词：文学 文化生产活动 文化产业活动 社会审美消费 

分 类 号：D751.2[政治法律—政治学]