论绘画本体“标准”  

On the Standard of Painting Noumenon

作　　者：赵胜利[1] 

机构地区：[1]集美大学美术学院,福建厦门361021

出　　处：《滁州学院学报》2011年第6期48-50,53,共4页Journal of Chuzhou University

摘　　要：绘画的标准始终处于动态的变化中,主要是出于它的非唯一性和人为性,所以,不可能制定出一个规范而统一的标准。因而也经常使人感到不知所措,进而对标准产生怀疑甚至反叛。实际上绘画新标准的确立就是在不断的对其标准的肯定和否定中得到发展,绘画的标准往往与其在历史限定的时空条件下所强调的功能有必然的联系。塞尚、林风眠绘画标准的建立充分体现了对所谓绘画的认识。对教育、审美等多种社会功能的不同侧重,便有着与之相对应的评判标准。绘画标准的建立的过程也是人类对真、善、美的追求过程。Drawing standard is always in a dynamic change because of its non-uniqueness and artificiality,it is difficult to make a normative and unified standard.And people often get confused and puzzled,then they regard the standard with suspicion and even rebellion.Actually,the establishment of new painting standard will be developed constantly with position and negation of the standard.In general,painting standard is connected with painting function which is stressed under the historical condition.Cezanne＇s and Lin Fengmian＇s painting standard establishment fully reflected the acquaintance with the so-called painting and the different emphasis on education,aesthetic and other social function,corresponding evaluation criteria.The process of drawing standard establishment is also the process of human＇s pursuit for truth,goodness and beauty.

关 键 词：绘画标准 塞尚 林风眠 

分 类 号：J20[艺术—美术]