上海方言与马凡陀的山歌  

The Shanghai Dialect and the Folk Song of Ma Fantuo

作　　者：颜同林[1] 

机构地区：[1]贵州师范大学文学院,贵州贵阳550001

出　　处：《贵州师范大学学报（社会科学版）》2012年第2期31-34,共4页Journal of Guizhou Normal University(Social Sciences)

基　　金：国家社科基金项目"方言入诗资料整理与研究"(11XZW012)阶段性成果

摘　　要：在新诗民族化与大众化潮流中,马凡陀的山歌被誉为新诗创作的一个新方向。作为被左翼批评界认可的新诗样板,它可贵之处是一方面普遍调用丰富的吴语资源,另一方面则始终以底层市民的民生为重。新诗中的山歌道路仍是敞开的,其口语化、方言化、大众化的运行轨道,以及针贬现实、为民代言的品性,对当下诗坛仍然有借鉴启示意义。The folk song created by Ma Fantuo, in the trend of poetry nationalization and popularization, is known as a new orien- tation of the modem poetry. It has been recognized as the model of poetry by the left - wing critics. Its values lie in two factors ： the one is that it uses the Wu dialect as a resources in a large extent, the other is that it pays more attention to the persons＇liveli- hood which lives in low level. Folk song in poetry is open to the spokenlization, dialectlization and popularization, as well as to analyze and criticize reality, speak for the human being , and it still draws inspirit significance to the current poetic circles.

关 键 词：方言入诗 吴语 马凡陀山歌 都市 民间 

分 类 号：I207.25[文学—中国文学]