张恨水《艺术之宫》的转型意义  

Meaning of Transformation on Zhang Henshui′s Palace of Art

作　　者：陆媛[1] 

机构地区：[1]广西大学文学院,广西南宁530004

出　　处：《江苏科技大学学报（社会科学版）》2012年第1期36-40,共5页Journal of Jiangsu University of Science and Technology(Social Science Edition)

基　　金：教育部人文社会科学研究项目"广西新时期文学雅俗流变研究"(09XJC751001)

摘　　要：《艺术之宫》是张恨水创作中期一部颇具特色的作品,也很有代表性。遗憾的是,由于各种原因,一直没有引起评论界的足够重视。《艺术之宫》无论从创作背景、题材选取、叙事结构、表现社会现实的深度等多方面都具有不容忽视的转型意义和价值,对这些问题的探讨将有助于更全面了解张恨水创作的整体特色和风格流变。＂Palace of Art＂ is a distinctive and representative work of Zhang Henshui in the middle phase of his writing career. However, due to various reasons, it has not attracted sufficient attention from critics. In terms of creation background, theme choosing, narrative structure, and social reality, ＂Palace of Art＂ has transitional meanings and value. Study of these issues will lend support to a more complete comprehension of the overall characteristics and changing style of Zhang Henshui/s creation.

关 键 词：张恨水 《艺术之宫》 转型意义 

分 类 号：I246.4[文学—中国文学]