王夫之的诗歌文体观:幽明之际  

WANG Fu-zhi's Poetry Stylsitic Concept:the Edge of Darkness and Brightness

作　　者：张胜利[1] 

机构地区：[1]烟台大学人文学院,山东烟台264005

出　　处：《烟台大学学报（哲学社会科学版）》2012年第2期40-46,共7页Journal of Yantai University(Philosophy and Social Science Edition)

基　　金：教育部人文社会科学规划青年项目"古代诗歌章法理论研究"(11YJC751118);山东省高等学校人文社会科学研究项目"中国古代诗歌章法理论研究"(J11WD28)

摘　　要：王夫之秉承东汉魏晋南北朝以来作为生命有机体的文体观,从"气一元论"出发,认为文章形式是太和氤氲之气孕育而生,正是因为"文"的产生,人才得以人的方式而非禽兽的方式存在。"文"揭示了人存在的样态,是人的存在的形式揭示。诗歌文体的特点是"幽明之际",它将人的存在世界从幽暗中彰显出来,即人的思想情感及种种体验能够敞亮和彰显,这正与气化万物聚散显隐之动态过程相一致。王夫之重视诗歌文体的体验性、现场性和交流性,诗召唤天、地、神、人共赴此一场域。文体形式是自足的、独立的生命有机体,它的意义在于开启一个世界,创造一种诗意境界。WANG Fu-zhi,in accordance to the stylistic thought of that of the Eastern Han Dynasty,the Wei and Jin Dynasties and the Southern and Northern Dynasties,style was regarded as the living organism.From the point of ＂pneuma monism＂,style of writing was given birth by the flourishing pneuma.Because of writing,people could exist in the way of being people,not birds or beasts.Writing was the revelation of people＇s existence.Poetry stylistic features were ＂the edge of darkness and brightness＂,which manifested people＇s existence from the darkness,so that man＇s thoughts,emotions and experiences could be clear and obvious.WANG Fu-zhi valued the characters of poetry style in experiencing,witnessing and communicating.Article style was a self-sufficient and independent living organism,which meant to open a world and created a poetry realm.

关 键 词：王夫之 文体 形式 幽 明 

分 类 号：I207.22[文学—中国文学]