现代公共建筑内的影像展映及其作为媒介仪式的人类学意义  

Image Exhibition in Modern Public Architecture and it's Anthropological Meaning as a Media Ritual

作　　者：杨新磊[1] 

机构地区：[1]北京化工大学北方学院艺术院

出　　处：《创意与设计》2012年第2期75-79,共5页Creation and Design

摘　　要：公共建筑体现着政治权威观照平民精神的价值预设,使社会规范通过文化控制影响个体行为。公共建筑内的影像展映是一种独特的媒介仪式,国家与民众借以让渡权威,缓和敌视,神化民意,互认价值,直至形成一种集体狂欢。国家与民众在此和谐共生,建筑的公共性因此格外彰丕,这种融合体现出生命的神性特别是我们内心的善义女神,逼使权力民主化,具有最积极的政治意义和自由色彩。Public architecture reflects the political authority of the reflection value of the civilians in the spirit of default, to lead the social norms affecting individual behavior through cultural control. Video exibition, display and screenings in theses public building is a unique media＇s carnival, based on which countries and people will transfer the authority to ease the hostility deification of public opinion, for decreasing the mutual recognition of the value until the formation of a collective carnival, therefore the state and the people will hold in a harmonious symbiosis, via which the public nature of the architecture can been shown out particular deeply. This integration indentifies the divinity of life, as a media ritual, especially rooted in the postive meaning goddess from our hearts, to force the power democratization with so much positive political matephor and freedom＇s color.

关 键 词：公共建筑 影像 仪式 自由 

分 类 号：TU242[建筑科学—建筑设计及理论]