朦胧美的本体价值及历史发展——以宋前诗歌发展史为中心  

The Noumenal Value and Historical Development of Ambiguity——Focus on the Pre-Song Poetry Development

作　　者：徐艳[1] 

机构地区：[1]复旦大学古籍整理研究所,上海200433

出　　处：《河北学刊》2012年第3期99-104,共6页Hebei Academic Journal

基　　金：教育部人文社会科学青年基金项目<文学语言角度的南朝诗歌研究>(07JC751020);教育部人文社会科学重点研究基地重大项目<中国中世文学思想史>(2000ZDXM750.11-44003)

摘　　要：朦胧既非政治策略,更非修辞技巧,而是文学本体的重要特征。朦胧产生的根本原因在于,文学语言按照独特的情感逻辑加以组织,而并不遵守现实逻辑。情感逻辑与现实逻辑间的张力构筑了美妙的朦胧场,这从肌理上模拟了情感之弥散特质。综观宋前诗歌发展史,存在着一条不断超越现实逻辑而创造情感逻辑的主要脉络:意象是语言离开现实逻辑而创造情感逻辑的最重要凭借;与之一脉,"无题诗"是更大范围的朦胧追求,在其失去题旨的同时也失去了诗歌总体旨意与现实所指的确切相关性。对有关历史的回顾,有助于我们反省中国现代诗的朦胧与传统的关系。Ambiguity is neither political tactics, nor rhetoric skill, but the important noumenal property of literature. The fundamental reason giving birth to ambiguity is that literature language is organized ac- cording to individual emotional logic, but not realistic logic. The tension between emotional logic and re- alistic logic makes the magnetic field of ambiguity, which imitates the diffusing property of feeling＇ s flesh. There is a main sequence which transcends realistic logic and creates feeling logic continually in pre - Song poetry history ： the image is the most important way that the language leaves realistic logic and creates emotional logic; in one continuous sequence, ＂Wu Ti Shi＂ is the more fargoing pursuit of ambi- guity, which losts its topic, meanwhile, it losts the explicit interrelation between its general meaning with its realistic point. The retrospection of such history is helpful for our rethink of the relationship between the modem poetry ambiguity and the traditional poetry ambiguity.

关 键 词：朦胧 意象 无题诗 宋前诗歌 

分 类 号：I206.2[文学—中国文学]