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作 者:汪娟[1,2]
机构地区:[1]华东师范大学人文社会科学学院,上海200241 [2]新疆大学学报编辑部,新疆乌鲁木齐830046
出 处:《西安交通大学学报(社会科学版)》2012年第3期117-120,共4页Journal of Xi'an Jiaotong University:Social Sciences
基 金:教育部人文社会科学项目(11XJJCZH004)
摘 要:解读刘亮程的代表作《一个人的村庄》,认为其笔下的村庄绝非是如表面所展现的诗意,在与世隔绝、荒僻落后的村庄意象中,隐约透露出作者对荒野所独有的的恐惧;在舒缓的文字叙述下,其实掩藏着作者一颗焦灼的灵魂;在刘亮程的家园空间结构中,作者为家园的终结而愁肠百结,起点是家园的失落,终点无一例外是漂泊,而漂泊恰是家园丧失的反映,其隐含的则是作者对生命意义的拷问和对精神家园的追寻。By reading the "Thorpe of One's Own" , the magnum opus of Liu Liangcheng, we hold that the thorpe in his writing is by no means a poetic or romantic one as revealed on its surface. On the contrary, the unique terror of wilderness of the writer is vaguely disclosed in the image of the deserted and unenlightened thorpe secluding from the world and a deeply anxious soul is actually concealed in his leisurely written depiction. In the spatial structure of the homestead of Liu Liangcheng, the starting point is the disappearance of the homestead and the end is unexceptionally extravagating, which is just the reflection of the disappearance of the homestead.
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