清初戏曲《双熊梦》双生旦结构功能论  

Study on Structure of Two Male Roles and Two Female Roles in Traditional Chinese Opera Shuang Xiong Meng in the Beginning of Qing Dynasty

作　　者：俞晓红[1] 沙婷婷[1] 

机构地区：[1]安徽师范大学文学院,安徽芜湖241000

出　　处：《温州大学学报（社会科学版）》2012年第3期41-46,共6页Journal of Wenzhou University：Social Science Edition

摘　　要：清初朱素臣的《双熊梦》采用了双生旦结构,这有利于增强故事的传奇性,能更好地实现戏曲出与出之间的反接,在充分利用演员资源、增加演出收入等方面显示其优长。The traditional Chinese opera Shuang Xiong Meng, composed by Zhu Suchen in the beginning of Qing Dynasty, adopted a special structure of two male roles and two female roles. This structure could help to make the story much more legendary and achieve better conversion between one play and another. What＇s more, it also showed its advantages in many aspects, including making full use of actors and increasing the income of operatic players.

关 键 词：《双熊梦》 双生旦结构 戏曲 

分 类 号：I207.3[文学—中国文学]