“回家”的诱惑——王海鸰婚恋小说中的女性呈现模式  

The Temptation of "Returning Home"——On presenting female types in Wang Hailing's romantic novels

作　　者：张军民[1] 

机构地区：[1]兰州城市学院传媒学院,甘肃兰州730070

出　　处：《兰州交通大学学报》2012年第2期39-42,共4页Journal of Lanzhou Jiaotong University

摘　　要："回家"是女性主义批评展开讨论的一个重要命题,因为"家"关涉着一组核心对立项:公共空间/私人空间,而女性主义的阐释空间恰恰在这组二元对立的裂隙中生成。本文拟以王海鸰的婚恋小说为对象,围绕"家"的命题探讨三种女性呈现模式:背景化生存模式、主体性回归模式和独立性凸现模式。在"回家"的不同变奏中,作者试图寻找女性从婚恋之绝境得以精神突围的新方向。＂Returning home＂ is a significant topic in critics of feminism,which is due to a group of core opposites concerning ＂home＂,such as public/private space.The room of exploration of feminism is generated in the crack of the binary oppositions.The paper is about three female presenting types：sticking to family,abandoning family and surpassing family.In the vibration of ＂returning home＂,the writer tries to find the new mental orientation of breaking out of hopeless marriage encirclement.

关 键 词：回家 王海鸰 女性形象 模式 

分 类 号：I207[文学—中国文学]