论江湖本的传承和戏曲生态——以婺剧为例  

On Inheritance of Folk Dramas and Drama Ecology——Taking Wuju Opera as Example

作　　者：白海英[1] 

机构地区：[1]华南农业大学人文学院

出　　处：《浙江艺术职业学院学报》2011年第4期115-120,共6页Journal of Zhejiang Vocational Academy of Art

基　　金：国家社科基金项目"江湖十八本研究"阶段性成果。(项目编号:10CZW032)

摘　　要："江湖十八本"是江湖本中的经典,它传播历史长、范围广。本文结合婺剧江湖十八本的特点、历史环境,分析民间戏曲生存的重要因素即戏曲生态。就此,本文提出"江湖十八本"生态圈、戏曲自我生态圈、社会生态圈,民间戏曲只有在三种生态圈相互作用形成的良性生态系统中,才能健康发展,不断传承。＂The eighteen folk dramas＂ is classical and widely spread with a long history.The paper analyses important elements of the survival of folk drama from the characteristics and historical environment of ＂the eighteen Wuju opera＂.The paper holds that folk drama may have a sound inheritance and development in the ecological system of ＂the eighteen folk dramas＂,drama itself and the society.

关 键 词：江湖十八本 民间戏曲 生态圈 传承 

分 类 号：J825[艺术—戏剧戏曲]