明清小说对八股文及写作技巧的评论  

On the Commentary of the Ming and Qing Dynasties Novel to the Eight-legged Essays and Writing Skill

作　　者：王玉超[1] 刘明坤[1] 

机构地区：[1]云南师范大学文学院,云南昆明650500

出　　处：《咸阳师范学院学报》2012年第3期111-114,共4页Journal of Xianyang Normal University

基　　金：2011年教育部人文社会科学研究青年基金项目(11YJC751084)

摘　　要：明清小说作者绝大多数都对八股文十分熟悉,甚至形成了八股的惯性思维。当他们从八股文领域转移到小说领域时,这种八股笔法和惯性思维也随之融入了小说创作。比照明清小说与八股文可以发现,小说作者在创作过程中融汇了诸种八股文要素,他们在小说中用大量篇幅讲谈八股文写作技巧,对八股文破题、文风以及各种写作方法都有涉及,使小说俨然成为一部八股文理论著作。In the Ming and Qing Dynasties, most novel authors were very familiar with the eight-legged essays. They even had formed the eight-part essay inertia thought. When they shifted from the eight-legged essay domain to the novel, the eight-part essay writing technique and the inertia thought had also integrated the novel creation alongside. Compared to the novel and the eight-legged essays one may discover that the novel authors have merged various kind of eight-legged essay essential factor in the creation process. They discuss the writing technique of the eight-legged essay in the novel with massive lengths. It invovled the first leg, the literary style and the writing way of the eight-legged essay article. It causes the novel as a theory work of the eight-legged essay.

关 键 词：小说 八股文 技巧 理论 

分 类 号：I207.41[文学—中国文学]