文学性的危机与变迁:巴特与洛特曼的启示  

The Crisis and Change of Literariness:Barthes and Lotman's Revelation

作　　者：李薇[1] 

机构地区：[1]广东轻工职业技术学院旅游系,广东广州510300

出　　处：《南昌大学学报（人文社会科学版）》2012年第3期140-143,共4页Journal of Nanchang University(Humanities and Social Sciences)

基　　金：教育部人文社会科学研究青年基金项目"超越现代与后现代--差异思想及其对当代中国美学理论研究的启示"(12XJC751003);广东省普通高校人文社会科学研究项目"西方思维批判与文艺学基础理论的更新及回归"(11WYXM003)

摘　　要：基于传统文学理论范式危机,巴特以交互主体性解放结构,洛特曼强调文学的交流功能。两人皆从文本多因互动格局入手,积极引入读者维度,构建审美主体间的交往对话关系,不仅使现代文学的知识范式跳出语言学牢笼,促成文本从静态结构到跨学科书写实践过程的转变,而且有助于在"后理论时代"观照文化视野中的文艺存在,重塑文学理论形态。Based on the traditional literary theory paradigm plight, Barthes liberates the structure by intersujective. Lotman emphasizes literary communicative function. They focus on text interaction pattern, actively introduce readers dimension and build dialogue relationship among the aesthetic subjects. These two types of text not only bring about the process of static structure into the interdisciplinary of writing practice, but also contribute to reflection of the artistic existing form within culture and reshape the literary theoretical form in a ＂post - theory＂ era.

关 键 词：巴特 洛特曼 文学性 文本观 作者 读者 

分 类 号：I565.065[文学—其他各国文学]