论当代文学的“中间人物”与“人学”话语策略  

On the Discourse Strategy of "Middle Character" and "human study" in Contemporary Literature

作　　者：肖向东 孙周年 

机构地区：[1]江南大学人文学院,江苏无锡214122

出　　处：《西南大学学报（社会科学版）》2012年第3期100-106,175,共7页Journal of Southwest University(Social Sciences Edition)

基　　金：国家社科基金项目"当代中国文学思想主流与‘人学’思潮之演进研究"(09BZW060);项目负责人:肖向东

摘　　要："中间人物"是"十七年"小说创作中的一个特殊存在,作为一个文学族类,构成了当代中国文学的一道亮丽景观,但从现象形态与创作主体角度审视,反映了那个时代作者的一种言说与形象表达,也是当时有见识的作家们对社会生活的一种客观认知与艺术解读,是特定历史语境下作家感知生活、表现文学"人学"思想的一种话语策略。重新审视这一现象,或可使我们重新认识那个历史时段文学的创作价值。as one of the literary school,The ＇middle people＂ is a special existence of novel creation in the last 17 years,and it becomes a beautiful scenery in contemporary chinese literare.However,from phenomenal configuration and creative body perspectives,we may find that the ＂middle character＂ is the reflection of the authors＇ words and graphic expressions of that time,and it also reflects some knowledgeable authors＇ objective recognition and artistic analysis of their social life.With the reviewing of this phnomenon,we may rediscover literary creative value of that time.

关 键 词：当代文学 中间人物 人学思潮 话语策略 

分 类 号：I206.7[文学—中国文学]