现代主体诗学的清理与当代客体诗学的开启  

On the Ending of Modern Subject Poetics and the Starting of Contemporary Object Poetics

作　　者：曹万生[1] 

机构地区：[1]四川师范大学诗学研究所,成都610068

出　　处：《四川师范大学学报（社会科学版）》2012年第3期126-131,共6页Journal of Sichuan Normal University(Social Sciences Edition)

基　　金：教育部人文社会科学项目"中国当代诗学史"(编号:06JA75011-44030)的阶段性成果之一

摘　　要：毛泽东《在延安文艺座谈会上的讲话》奠定了新时期以前当代诗学的基本格局,即对五四以来主体诗学的清理与当代客体诗学的开启。诗人情感与表达方式的清理是核心,艾青与何其芳是典型的例证,"何其芳现象"是这种转变的标志。《讲话》以后,诗歌转为新诗人的农民内容与民歌形式的民歌体新诗,民歌体叙事诗成为客体诗学开启的标志,构成当代诗学模式。Talks at the Yah ＇an Forum on Art and Literature by Mao Zedong established the basic pattern of the contemporary poetics before the New Period, in other words, it is the end of the subject poetics originated from the May 4th Movement and the start of the contemporary ob- ject poetics. The change mainly focused on the poet＇s emotion and its expressing. Ai Qing and He Qifang are the best examples. The He Qifang Phenomenon marks the beginning of the change. After the talks at the Yah＇ an Forum on Art and Literature, poems became new folk po- ems in the form of folk songs describing farmers. Narrative fork poems opened the door to object poetics and formed the mode of contemporary poetics.

关 键 词：《在延安文艺座谈会上的讲话》 主体诗学 客体诗学 何其芳现象 民歌体新诗 

分 类 号：I207.25[文学—中国文学]