主流电影与主流人群关系研究——以农民工为视角  

The Relationship between Mainstream Movies and Major Social Groups——From the Perspective of Migrant Workers

作　　者：刘广宇[1] 李岗[1] 

机构地区：[1]西南交通大学艺术与传播学院,四川成都610031

出　　处：《西南交通大学学报（社会科学版）》2012年第3期1-6,共6页Journal of Southwest Jiaotong University(Social Sciences)

基　　金：中央高校基本科研业务费专项资金资助项目(SWJTU11ZT21)

摘　　要：以农民工为视角来研究主流电影与主流人群的关系,不仅可以使我们洞见构成这一新型关系所内聚的能动性和限定性,而且也可以使我们从中发现因这种关系的形成而具有的强大社会整合效力。但如何把这种关系所呈现的疏离和隔断状态转变为一种互为强化和社会所需的良性状态,关系融通是根本。This paper studies the relationship between mainstream movies and major social groups from the perspective of migrant workers.From the analysis,we can not only discover the immanent activity and constraint of this new relationship,but also find the integration force of the formation of this relation.Therefore,the harmonious relation serves as the guarantee for the improvement of this relationship between the detachment and partition and puts emphasis on the mutual needs in a positive way.

关 键 词：主流电影 农民工 社会整合效力 关系融通 

分 类 号：J905[艺术—电影电视艺术]