略论大调曲子对河南传统筝乐的影响  

A Brief Discussion on The Impact on Henan Zhengyue From Da Diao Quzi

作　　者：王丹[1] 

机构地区：[1]上海音乐学院,上海200031

出　　处：《信阳师范学院学报（哲学社会科学版）》2012年第3期70-73,共4页Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)

摘　　要：河南传统筝乐的传播与发展受到了大调曲子的重要影响。在历史上,传统筝乐音乐以板头曲和唱腔曲牌两种形式随大调曲子从豫东向豫南地区传播,并在以曹东扶为代表的大调曲子艺人对其曲目的编订及其从事的社会活动的推动下成长为一种具有地方风格代表性的艺术表演形式。文章针对大调曲子与河南传统筝乐的密切关系,对河南传统筝乐音乐的历史发展过程进行初步探讨。Da Diao Quzi has made a great impaction on Henan Zhengyue. When had been treated as a vocal music and companied in- strument of Da Diao Quzi, Henan Zbengyue also transmitted from east of Henan to its southern areas, and finally became a independent art form with the help from the contribution of CAO Dong - fu and other artist. This article will discuss the close relationship between Da Diao Quzi and Henan Zhengyue, and make a brief outline about the development of Henan Zheng.

关 键 词：大调曲子 河南筝乐 板头曲 唱腔曲牌 曹东扶 

分 类 号：I236.6[文学—中国文学]